تحديث أكتوبر 2026 · مُرتبة حسب مؤشر شعبيتنا (عمليات البحث، والزيارات، والطلبات لكل عمل فني) · 223 أعمال لـ آلان رامزي في كتالوجنا
In short
If you know one آلان رامزي painting, it's probably Queen Charlotte (1744-1818) (1762), which hangs in the قصر باكنغهام, لندن. King George III (1761) and George III (1738–1820) (1764) round out the three pieces people recognise right away. Our catalogue has 223 works by آلان رامزي. Below are the 100 people know best, each with its year, where to find it and what makes it special.
To stand before this portrait is to encounter the quiet authority of Queen Charlotte. Painted in 1762, the work captures the Queen in a moment of formal repose, her presence defined by a sense of calm and sovereign grace. The composition is vertical and balanced, placing her as the central figure within a grand, neoclassical interior. A fluted column rises to the right, providing a strong verticality that anchors the…
This oil on canvas portrait, titled King George III, presents a formal depiction of George III of Great Britain. Created by the Scottish painter Allan Ramsay, the work captures the monarch in a moment of regal composure. It was executed in 1761, a period when Ramsay was establishing his presence within the highest circles of British society.
In the grand tapestry of eighteenth-century portraiture, few works command the room with as much authoritative grace as Allan Ramsay’s 1764 masterpiece, George III. This breathtaking portrait serves as more than a mere likeness; it is a profound window into the heart of the British monarchy during an era of immense transition. As the viewer gazes upon the King, they are immediately struck by the sheer scale and presence of…
This oil on canvas portrait, created between 1764 and 1766, depicts Emily FitzGerald, Duchess of Leinster, also known as Emily, Marchioness of Kildare. The subject is presented in a contemplative pose, appearing book-learned as she reads the ancient historian Procopius. The composition centers on the seated woman, whose posture and the open book on the table before her suggest a moment of quiet study. The scene is characterized by soft,…
The portrait presents a man in a three-quarter length pose, positioned centrally against a dark, atmospheric background. He is oriented slightly toward his left, facing the viewer with a direct gaze. The subject wears a structured, military-style dark coat decorated with gold embroidery, paired with a white waistcoat and a crisp white cravat. Below the waist, red breeches are visible. A powdered wig frames a face characterized by soft, blended…
The oil on canvas work titled Mrs. Lindesay of Eaglescarnie was executed by the artist Allan Ramsay in 1750. This portrait depicts a subject also identified as Madame Lindesay d'Eaglescarnie. The painting is presented in an oval-format bust-length composition.
In this formal 18th-century oil portrait, Allan Ramsay presents Henry Bellenden with a quiet sense of dignity. Painted about 1749, the work captures the subject in a three-quarter length view, seated in a manner that suggests both relaxation and a certain commanding presence. The portrait focuses on the individual, using the sitter's posture and attire to communicate a sense of intellectual refinement and social standing.
Richard Grenville, 2nd Earl Temple, is presented in a formal, full-length state portrait that emphasizes his noble lineage and authority. He stands in a three-quarter length pose, slightly off-center to create a sense of dynamic stability. The subject is draped in ceremonial regalia, including a heavy mantle and an ornamental sword, which signal his high social status. A crimson sash and waistcoat provide a sharp contrast against the dark, heavy…
This oil on canvas portrait, titled Alexander Boswell, Lord Auchinleck, presents a formal study of the Scottish judge created by the artist Allan Ramsay. Painted between 1754 and 1755, the work captures the subject in a moment of quiet authority. Ramsay, a prominent figure in eighteenth-century British portraiture, brings a refined sensibility to this depiction of the man who would become a significant legal figure in Scotland.
This oil on canvas painting, titled Portrait Of Sir William Pulteney, Earl Of Bath, presents a formal study of William Pulteney, 1st Earl of Bath. The work is a portrait executed by the Scottish painter Allan Ramsay. It captures the subject in a manner that reflects the social standing of the 18th-century aristocracy.
Jane Nisbet, Lady Dirleton1748 · The National Trust For Scotland
12
Mrs Elizabeth Symonds (d.1776 )1740 · Walker Art Gallery
13
Mary Adam1754 · Yale Center for British Art
14
Arabella Pershall, Lady Glenorchy1740 · Yale Center for British Art
15
Queen Charlotte with her Two Children1765 · Royal Collection
16
Lady Frances Wemyss, Lady Steuart Denham, 1722 - 17891740 · Scottish National Portrait Gallery
17
Elizabeth Cunyngham, Mrs Daniel Cunyngham1740 · المعرض الوطني الاسكتلندي
18
Portrait of a Man1750 · Auckland Art Gallery Toi o Tāmaki
19
Queen Charlotte (1744-1818), with her Two Eldest Sons1769 · Royal Collection
20
Janet, Daughter of the Honourable Sir David Dalrymple, Bt1749 · The National Trust For Scotland
21
Thomas, 2nd Baron Mansel of Margam with his Blackwood Half-Brothers and Sister1742
22
Francis Hutcheson (1694-1746)1740 · The Hunterian Museum and Art Gallery
23
Portrait of Mrs. Mary Wilbraham1744
24
Francis Hutcheson (1694-1746)1742 · The Hunterian Museum and Art Gallery
25
Lady Christian Dalrymple1744 · The National Trust For Scotland
26
Allan Ramsay1739 · المعرض الوطني للصور
27
Robert Craigie (1685–1766), Lord Craigie, Lord Advocate1744 · Scottish National Portrait Gallery
28
Sir James Dalrymple, Bt, MP, Auditor of the Exchequer1740 · The National Trust For Scotland
29
Archibald Campbell (1682–1761), 3rd Duke of Argyll, Statesman1744 · Scottish National Portrait Gallery
30
Portrait of Sir John Tyrell, Bt.1752 · National Gallery of Ireland
31
Janet Carmichael, Later Countess of Hyndford1750
32
John, Second Baron Desart1751
33
Nude Study of a striding man with stone sling1755
34
John Erskine (1712–1787), 14th of Dun1747 · الترست الوطني في اسكتلندا
35
Edward Harvey (1718–1778)1747
36
James Haughton Langston1750 · متحف فيتزويليام
37
Archibald Campbell (1682–1761), 3rd Duke of Argyll1749
38
John Sargent the Elder (1690–1762)1753 · The Holburne Museum
39
John Sargent the Younger (1714–1791)1749 · The Holburne Museum
40
Anne Cockburn (d.1772), Lady Inglis1747 · المعرض الوطني الاسكتلندي
41
Francis Child (1735-1763)1758 · Osterley Park And House
42
George William Coventry, 6th Earl of Coventry (1722-1808)1764
43
Augusta, Princess of Wales (1719-72)1764 · Royal Collection
44
Queen Charlotte (1744-1818)1765 · Royal Collection
45
An Unknown Woman1762 · Yale Center for British Art
46
Portrait of Horace Walpole's Nieces: The Honorable Laura Keppel and Charlotte, Lady Huntingtower1765 · متحف الفنون الجميلة
47
William Drummond (d.1772)1764
48
Augusta, Princess of Wales (1719–1772)1760 · Government Art Collection
49
Barbara St John, Countess of Coventry (1737 – 1804)1772
50
Princess Elizabeth Albertina, Duchess of Mecklenburg-Strelitz (1713-61)1769 · Royal Collection
51
Prince William (1765-1837), later Duke of Clarence1767 · Royal Collection
52
Prince George Augustus of Mecklenburg-Strelitz (1748-85)1769 · Royal Collection
53
Valentine Morris (1727-1789), Governor of Saint Vincent1784
54
Mary Degg, Lady Robert Manners (1737 - 1829)1756 · المعرض الوطني الاسكتلندي
55
The Honourable William Finch1744 · New Walk Museum - Art Gallery
56
Captain Thomas Wallace1750 · The National Trust For Scotland
57
Portrait of Lady Susanna Campbell, n�e Bernard (d. 1751)1758 · SCAD Museum of Art
58
Rosamund Sargent, née Chambers (1722–1792)1749 · The Holburne Museum
59
Miss Craigie1741
60
Lady Anne Campbell (1720–1785), Countess of Strafford1743 · The Hunterian Museum and Art Gallery
61
James Murray (1690–1764), 2nd Duke of Atholl1743 · The Merchant's Hall
62
Flora Macdonald1749 · The Ashmolean Museum of Art And Archaeology
63
Jean, Lady Banff1747 · The National Trust For Scotland
64
DAVID WEMYSS, LORD ELCHOمتحف اللوفر
65
Portrait of Sir John Hynde Cotton, 3rd BT1740
66
Anne Bayne (d.1743), Wife of the Artist Allan Ramsay1739 · Scottish National Portrait Gallery
67
Alexander Home of Jardinfield1732
68![Miss Hale [?] (1740) للفنان آلان رامزي](/media/artworks/images-thumb/19/3f/193f9fa45ff2c99e858cb489c5dffa34.jpg)
Miss Hale [?]1740 · Worcester Art Museum
69
Portrait of Archibald Campbell, 3rd Duke of Argyll1744
70
Mary de Cardonnel (c.1719–1787), Countess Talbot1742
71
Judge Michael Ward (1683–1759)1742 · Castle Ward
72
Mary Digges Lady Robert Manners1737 · المعرض الوطني الاسكتلندي
73
Lord Chancellor Hardwicke (1690–1764)1740
74
Lady Anne Compton (d.1747), Lady Rushout1743
75
Lady Jemima Campbell (1722–1797), Marchioness Grey, Countess of Hardwicke1741 · Wimpole Hall
76
Philip Yorke (1720–1790), 2nd Earl of Hardwicke, PC, MP, FRS1741 · Wimpole Hall
77
Portrait of Martha Baker1739
78
Elizabeth Cunyngham, Mrs Daniel Cunyngham1740
79
Baron of Exchequer1742 · The Merchant's Hall
80
Richard Mead1740 · المعرض الوطني للصور
81
Colonel John Stewart of Stewartfield (d.1750)1742
82
James Murray (1690–1764), 2nd Duke of Atholl, Lord Privy Seal1743 · Scottish National Portrait Gallery
83
Portrait of a Gentleman in a Blue Coat1741
84
Lady Lucy Manners (1717–1788), Duchess of Montrose1739 · المعرض الوطني الاسكتلندي
85
General James Murray (1722–1794), Governor of Quebec and Minorca1742 · Scottish National Portrait Gallery
86
Agnes Murray Kynynmond, Daughter of Hugh Dalrymple Murray Kynynmond, Wife of the Right Honourable Sir Gilbert Elliot of Minto, Bt, MP1739 · The National Trust For Scotland
87
Alexander Murray (1712–1778), Jacobite1742 · Scottish National Portrait Gallery
88
Admiral The Honourable Charles Stewart (1681–1740)1740 · National Maritime Museum
89
Portrait of Miss Mary Lilias Scott1748 · John and Mable Ringling Museum of Art
90
John Campbell, 4th Earl of Loudoun1750 · Scottish National Portrait Gallery
91
Timothy Godwin1749
92
Abigail Ward1749
93
Dr John Ward1749
94
Portrait of a Naval Officer1747
95
Lady Hall of Dunglass1752
96
Sir Lucius Christianus Lloyd (c.1710–1750), 3rd Bt, of Maes y Felin (Mitfield)1745 · Croft Castle
97
Julia Hasell1749 · Abbot Hall Art Gallery
98
Portrait of a Lady1747
99
Portrait of a Man1746
100
James Adam (1732–1794)1754 · Laing Art Gallery
The four subjects that come up most often in these pieces, each with its best-known example.
المتاحف الـ 8 التي تضم أكبر عدد من اللوحات الموجودة في هذه الصفحة.
| المتحف | المدينة | أعمال آلان رامزي | لوحات من هذه القائمة |
|---|---|---|---|
 Scottish National Portrait Gallery |
إدنبرة | 16 | Lady Frances Wemyss, Lady Steuart Denham, 1722 - 1789, Robert Craigie (1685–1766), Lord Craigie, Lord Advocate, Archibald Campbell (1682–1761), 3rd Duke of Argyll, Statesman |
 Royal Collection |
لندن | 8 | Queen Charlotte with her Two Children, Queen Charlotte (1744-1818), with her Two Eldest Sons, Augusta, Princess of Wales (1719-72) |
 المعرض الوطني الاسكتلندي |
إدنبرة | 14 | Elizabeth Cunyngham, Mrs Daniel Cunyngham, Anne Cockburn (d.1772), Lady Inglis, Mary Degg, Lady Robert Manners (1737 - 1829) |
 Yale Center for British Art |
نيو هيفن | 5 | Henry Bellenden, Alexander Boswell, Lord Auchinleck, Mary Adam |
 The National Trust For Scotland |
إدنبرة | 9 | Janet, Daughter of the Honourable Sir David Dalrymple, Bt, Lady Christian Dalrymple, Sir James Dalrymple, Bt, MP, Auditor of the Exchequer |
 The Hunterian Museum and Art Gallery |
Glasgow | 4 | Francis Hutcheson (1694-1746), Francis Hutcheson (1694-1746), Lady Anne Campbell (1720–1785), Countess of Strafford |
 The Holburne Museum |
باث | 3 | John Sargent the Elder (1690–1762), John Sargent the Younger (1714–1791), Rosamund Sargent, née Chambers (1722–1792) |
 المعرض الوطني للصور |
لندن | 5 | Allan Ramsay, Richard Mead |
Pick a decade to see its standout piece.
The portrait presents a man in a three-quarter length pose, positioned centrally against a dark, atmospheric background. He is oriented slightly toward his left, facing the viewer with a direct gaze. The subject wears a structured, military-style dark coat decorated with gold embroidery, paired with a white waistcoat and a crisp white cravat. Below the waist, red breeches are visible. A powdered wig frames a face characterized by soft, blended…
The oil on canvas work titled Mrs. Lindesay of Eaglescarnie was executed by the artist Allan Ramsay in 1750. This portrait depicts a subject also identified as Madame Lindesay d'Eaglescarnie. The painting is presented in an oval-format bust-length composition.
To stand before this portrait is to encounter the quiet authority of Queen Charlotte. Painted in 1762, the work captures the Queen in a moment of formal repose, her presence defined by a sense of calm and sovereign grace. The composition is vertical and balanced, placing her as the central figure within a grand, neoclassical interior. A fluted column rises to the right, providing a strong verticality that anchors the…
Top of the list is Queen Charlotte (1744-1818) (1762), قصر باكنغهام, لندن. Right behind it: King George III (1761) and George III (1738–1820) (1764).
49 years old. آلان رامزي was born in 1713, and Queen Charlotte (1744-1818) dates from 1762.
Queen Charlotte (1744-1818), King George III, George III (1738–1820), Emily (1731–1814), Marchioness of Kildare, Portrait of a Gentleman, Mrs. Lindesay of Eaglescarnie, Henry Bellenden, Richard Grenville, 2nd Earl Temple, Alexander Boswell, Lord Auchinleck و Portrait Of Sir William Pulteney, Earl Of Bath. You'll find the year and the museum of each in the list above.
We have 223 works by آلان رامزي in our catalogue, dated 1732 to 1784.
You'll find most of them in Scottish National Portrait Gallery (إدنبرة), Royal Collection (لندن) و المعرض الوطني الاسكتلندي (إدنبرة). The museum list above has the full breakdown.
In 1740s, more than any other time: 55 of the 100 pieces on this page date from then, Portrait of a Gentleman among them.
The earliest piece here is Alexander Home of Jardinfield (1732); the most recent is Valentine Morris (1727-1789), Governor of Saint Vincent (1784).
18th century (23), Portrait (16) و Woman (12), out of the 100 pieces on this page.
Oil On Canvas, used in 32 of the 100 pieces on this page.
Rococo, as you can see in the pieces on this page.
You can see 8 of the pieces on this page at the Scottish National Portrait Gallery, إدنبرة, including Lady Frances Wemyss, Lady Steuart Denham, 1722 - 1789, Robert Craigie (1685–1766), Lord Craigie, Lord Advocate و Archibald Campbell (1682–1761), 3rd Duke of Argyll, Statesman.
Yes. Every painting on this page is available as a hand-painted oil reproduction or a print, in the size that suits you. Just open the painting's page to order.
ولد آلان رامسای في إدنبرة، اسكتلندا، في الثالث عشر من أكتوبر عام 1713، وبرز كرسام بورتريه اسكتلندي بارز، اشتهرت أعماله بالتقاط أناقة ورقي عصره. بدأت رحلته الفنية في سن العشرين عندما سافر إلى لندن للدراسة تحت إشراف الرسام السويدي هانز هيسينغ، ثم تلقى تدريباً في أكاديمية شارع مارتين لين. زود هذا التدريب الأساسي رامسای بقاعدة متينة في التقنية والتكوين.
شهد تطور رامسای الفني تحولاً كبيراً مع سفره إلى روما ونابولي، حيث أمضى ثلاث سنوات (1736-1738) يعمل تحت إشراف فرانشيسكو سوليمنا و إمبيريالي (فرانشيسكو فيرناندي). أثر هؤلاء الأساتذة الإيطاليون بعمق على أسلوبه، وتعزيز فهمه للمبادئ الكلاسيكية وتحسين مهاراته في التقاط الشبه والشخصية. استوعب الجماليات الروكوكو السائدة بينما طور أيضاً تقديراً للأفكار الكلاسيكية الجديدة.
عند عودته إلى بريطانيا عام 1738، أسس رامسای بسرعة مسيرة ناجحة كرسام بورتريه. سرعان ما أكسبه قدرته على تصوير مواضيعه بدقة ورشاقة قاعدة عملاء متميزة. من بين أعماله الأكثر شهرة:
جاءت اللحظة المحورية في مسيرة رامسای عام 1761 مع تعيينه كرسام رئيسي عادي للملك جورج الثالث. عزز هذا المنصب المرموق مكانته بين النخبة الفنية وضمن تدفقاً ثابتاً من الطلبات من العائلة المالكة والمجتمع الراقي. أصبح *فنان البورتريه* لعصر جورجي.
شهدت حياة رامسای اللاحقة تحولاً نحو المساعي الأدبية، مما يعكس اهتماماته الفكرية الواسعة. ومع ذلك، أثرت المآسي الشخصية – خلع ذراعه اليمنى عن طريق الخطأ ووفاة زوجته الثانية عام 1782 – على صحته وإنتاجه. توفي في عام 1784.
على الرغم من هذه التحديات، ترك رامسای إرثاً دائماً كواحد من أشهر رسامي البورتريه في اسكتلندا. كما لاحظ صموئيل جونسون: “أحب رامساي. لن تجد رجلاً في محادثته المزيد من التعليمات والمعلومات والأناقة مثل تلك الموجودة في محادثة رامسای.” لا تزال أعماله تحظى بالإعجاب لمهارتها التقنية وجمالياتها المكررة وتصويرها الثاقب لمجتمع القرن الثامن عشر.
يمتد مساهمة آلان رامسای إلى ما هو أبعد من موهبته الفنية. لعب دوراً حاسماً في تشكيل الثقافة البصرية لاسكتلندا خلال فترة تغيير اجتماعي وسياسي كبير. توفر صوره رؤى قيمة حول حياة وأزياء وقيم النبلاء والطبقة الأرستقراطية الاسكتلندية. يمكن العثور على أعماله في مواقع مثل قاعة مدينة آير والمعرض الوطني للصور الاسكتلندي.
