The Forgotten Hand of the Baroque To look at the work of Isaac Moillon today is to encounter a name that slipped through the cracks of art history for centuries. While his sister, Louise, secured her place in the canon of French still-life painting, Isaac’s reputation largely vanished after 1673, only resurfacing when scholars began re-examaling the seventeenth century in the 1980s. He was not a specialist in the quiet, fruit-laden co…