This image represents a two-dimensional work of art, such as a
drawing,
painting,
print, or similar creation. The
copyright for this image is likely owned by either the
artist who created it, the
individual who commissioned the work, or their
legal heirs. It is believed that the use of
low-resolution images of artworks:
for purposes of
critical commentary on:
- the specific work in question,
- the artistic genre or technique employed in the artwork, or
- the artistic school or tradition to which the artist is associated,
qualifies as
fair use under
copyright law.
Any other use of this image, could potentially constitute a copyright infringement.
The image of ‘Betty’ is that of the artist, Gerard Richter’s, own daughter. It’s based on a photograph of hers that was taken when she was 11-years-old, 10 years prior to the making of this painting. It’s present in the Saint Louis Art Museum. Richer was born in 1932, and brought up in Dresden. He gained his education in East Germany but by 1961, he fled to Düsseldorf. This was West Germany where everything was different. When he was growing up, he was mainly exposed to Communist propaganda and right-wing fundamentalism. By 1961, Düsseldorf was carrying the baton of late-capitalism, blooming with western influences with regards to fashion, art and culture. Richter questioned everything with his skepticism and believed a particular style was “violent”, in a way where it forcibly restricts expression. Thus, he dabbled a little bit in everything and believed in expressing intimacy non-politically. ‘Betty’ invariably stands to exemplify that virtue. It’s also popularly inferred that his daughter in the photograph was turning her head away to look at a monochromatic work by Richter himself.